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ANGER/NATION

ANGER/NATION explores the contradictory puritanical and hedonistic underpinnings of the American psyche by colliding the psychedelic aesthetic of occult filmmaker Kenneth Anger with the histrionic escapades of the self-proclaimed "America's Loving Home Defender," Carrie A. Nation -- a remarkable 19th century, hatchet-wielding temperance crusader. Using miniature floating video monitors, post-it notes, licorice, and a healthy dose of fairy dust, Radiohole conjures a "pleasuredome" populated by an unpredictable mˇlange of questionable characters ranging from random Roman centurions to male cherubs that force Carrie A. Nation to wield her hatchet against sin and degradation -- only to then find herself in the grips of a voluptuous spiritual transformation of her own.



PERFORMED:
The Kitchen
September 2008

The Noorderzon Festival
August 2008

Donau Festival
April/May 2008

Radiohole Radiohole Radiohole Radiohole



REVIEWS:
The New York Times, By JASON ZINOMAN
Moral Righteousness Meets Down and Dirty
"It's a stunning stage image, like something out of a Robert Wilson production, translating nature into sleek technology."

The Gothamist, John Del Signore
Opinionist: Radiohole's Anger/Nation
"If you drop acid at just one Off Broadway show this year, make it this one."

The Brooklyn Rail, Alexis Clements
Hooch & Hatchetation Radiohole takes on the Nation
"Carrie A. Nation is all color and personality. And yes, itÕs on purpose that her name reads like a righteous phrase, she trademarked it."

PaperMag, By Tom Murrin
STAGE NOTES: ANGER/NATION
"Radiohole always seems to go further to do something on stage that you wonÕt see anywhere else."

TimeOut NY, David Cote
Anger/Nation
"As at most Radiohole events, audience members are there to witness a cryptic but well-crafted machine in action. Gender roles, mortality and the monotony of erotic obsession are explored amid a barrage of light and sound effects. WhatÕs new is the scale and complexity of the set, which is truly baroque."